Robert Longo – Falling Flag

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Robert Longo (born 1953)

Untitled (Falling Flag), 2025

Medium: Screenprint and varnish on Somerset paper

Dimensions: 66 × 63.9 cm (26 × 25 in)

Edition of 415: Hand-signed and numbered

Condition: Mint

This artwork ships worldwide — fully insured.

About this artwork

Robert Longo – Falling Flag

Robert Longo’s Untitled (Falling Flag) is a signed limited edition print from 2025, featuring a dramatically rendered American flag set against a deep black void. The flag occupies only the lower portion of the composition, appearing to collapse or descend, while the surrounding darkness amplifies its symbolic tension.

Produced as a screenprint with varnish on Somerset paper, the work captures the depth and texture of Longo’s charcoal-based imagery through complex grayscale layering. The intense black field functions as a conceptual space, suggesting absence, instability, and the fragility of power structures.

A recurring motif in Longo’s practice, the American flag becomes here a charged symbol of democracy, protest, and contemporary political uncertainty. Issued in an edition of 415 and hand-signed and numbered, Falling Flag is a compelling example of contemporary political art.

Robert Longo – Janet (from Men in the Cities)

About Robert Longo

Robert Longo (born 1953, Brooklyn, New York) is a leading figure of the Pictures Generation, internationally recognized for his monumental, photographically derived drawings that examine power, violence, and authority in contemporary culture. Working primarily in charcoal, Longo transforms media-sourced imagery, including guns, jet fighters, waves, flags, and political figures, into stark black-and-white compositions defined by dramatic chiaroscuro and hyperreal precision.

By appropriating and recontextualizing images from mass media, Robert Longo exposes the spectacle embedded in systems of power. His intense contrasts of light and shadow heighten psychological tension, turning moments of action into suspended, almost cinematic tableaux. Across drawing, sculpture, film, photography, and printmaking, he maintains a rigorous visual language that merges technical mastery with cultural critique.

Longo rose to prominence with his seminal Men in the Cities series (1979–1983), featuring sharply dressed figures caught in contorted, ambiguous gestures. These works became icons of 1980s art, reflecting anxiety, alienation, and the pressures of corporate and political structures. Throughout his career, Longo has continued to confront themes of state control, media influence, and collective fear, positioning his artworks as both visually commanding and intellectually urgent.

His drawings, photographs and limited edition prints been exhibited at major institutions worldwide, including the Museum of Modern Art and the Los Angeles County Museum of Art, affirming his enduring impact on contemporary art and political image-making.

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