Harland Miller – Hate's Outta Date

Harland Miller's signed limited edition screenprint Hate's Outta Date (Yellow) was published in 2022 in direct response to Russia's invasion of Ukraine, transforming one of the artist's most recognizable slogans into a clear statement of solidarity and resistance. Issued at a moment of global shock and moral urgency, the work reframes Miller's trademark wit as an unequivocal rejection of violence, authoritarianism, and hate-driven ideology.

Drawing on his iconic Penguin-inspired book cover format, the composition pairs the bold declaration "Hate's Outta Date" with a luminous yellow ground and the familiar penguin motif. In this context, the color choice carries additional resonance, echoing the Ukrainian flag and reinforcing the print's message of hope, resilience, and shared humanity. What might otherwise read as playful irony becomes a sober, humanist call for empathy and moral clarity.

Long associated with Miller's practice, the phrase "Hate's Outta Date" takes on renewed gravity here. By adopting the visual language of mass publishing, Miller positions the message as something meant to be widely read and collectively understood, collapsing the distance between art, protest, and public conscience. This fine art print exemplifies his ability to fuse pop aesthetics, literary reference, and social commentary into images that are both accessible and emotionally direct.

Produced in a limited edition of 125 impressions in yellow, alongside a corresponding blue edition, each print is hand-signed and numbered by the artist. Today, Hate's Outta Date (Yellow) stands as a highly collectible example of Miller's print practice and a document of artistic response to a defining geopolitical moment.

Harland Miller (born 1964, Yorkshire) is a celebrated British artist and writer best known for his instantly recognizable paintings and prints inspired by vintage Penguin paperback book covers. Blending pop art, conceptual art, and bold abstraction, Miller reimagines these familiar designs with humorous, ironic, and often melancholic titles that reflect on identity, failure, love, and the human condition.

At the core of Harland Miller’s artwork is a dialogue between visual art and literature. His paintings and limited edition prints use text as both image and meaning, transforming language into a powerful visual device. The stark typography, saturated color fields, and literary references create a visual language that is immediately legible yet emotionally complex, inviting viewers to project their own experiences onto the work.

Alongside his visual practice, Miller is an accomplished author, having published novels, essays, and a memoir. This literary background deeply informs his art, positioning his works at the intersection of contemporary painting, graphic design, and narrative culture. His fine art prints extend this practice into accessible, highly collectible editions.

Harland Miller’s artworks are held in major public and private collections worldwide and have been exhibited internationally, cementing his reputation as one of the most distinctive voices in contemporary British art.