Georg Baselitz – Untitled (from Eine Woche)

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Georg Baselitz (German, born 1938)

Untitled (from Eine Woche), 1972

Medium: Etching on chine-collé, on wove paper

Dimensions: 50 × 70 cm (19 7/10 × 27 3/5 in)

Edition of 52: Hand-signed in pencil, unnumbered print outside the edition

Publisher: Galerie Heiner Friedrich, Munich

Catalogue raisonné: Jahn/Gachnang No. 96

Condition: Very good (sold in oak wood frame)

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Georg Baselitz – Untitled (from Eine Woche)

About this artwork

Georg Baselitz – Untitled (from Eine Woche)

Georg Baselitz’s Untitled (from Eine Woche) is a signed etching on chine-collé mounted to wove paper, published in the 1972 portfolio Eine Woche by Galerie Heiner Friedrich, Munich. Created during a pivotal moment in the early 1970s, the artwork reflects Baselitz’s concentrated engagement with printmaking.

The limited edition print depicts a fragmented architectural structure rendered in angular, forceful lines. Space appears unstable, with forms compressed and skewed rather than perspectivally resolved. The raw, scratch-like mark-making underscores Baselitz’s interest in distortion and psychological tension, themes that define his work of this period.

As part of the 1972 portfolio, the fine art print demonstrates Georg Baselitz’s exploration of etching as a medium capable of conveying immediacy and raw intensity. The chine-collé technique enhances tonal depth while preserving the nervous energy of the etched mark. Issued in an edition of 52 and hand-signed in pencil, this impression is an unnumbered print outside the edition. 

Georg Baselitz - Abe

About Georg Baselitz

Georg Baselitz (born 1938, Deutschbaselitz, Germany) is one of the most influential German artists of the postwar period and a central figure in Neo-Expressionism. Working across painting, sculpture, drawing, and printmaking, he is internationally recognized for his radical inversion of motifs, a strategy he introduced in the late 1960s to detach subject matter from narrative and shift attention to formal structure, color, and painterly gesture.

By turning his figures, landscapes, and symbols upside down, Baselitz disrupted conventional modes of representation and challenged viewers' expectations. The inversion does not negate the image but destabilizes it, foregrounding the act of painting itself. This approach, present in both his paintings and limited edition prints, marked a decisive break with prevailing tendencies in postwar abstraction and conceptual art.

Baselitz's work is deeply informed by German history and the psychological legacy of World War II. His fractured figures, raw surfaces, and aggressive mark-making confront themes of identity, memory, and cultural rupture. Influences ranging from Mannerism to African sculpture and Soviet-era illustration inform his expressive visual language.

Throughout his career, Baselitz has maintained a strong commitment to printmaking, producing etchings, woodcuts, and lithographs that parallel the intensity and formal experimentation of his paintings. His artworks are held in major museum collections worldwide, affirming his lasting impact on contemporary art and the ongoing relevance of painting as a critical medium.

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