Georg Baselitz – Untitled (from Eine Woche)

Sale price€1.900,00

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Georg Baselitz (German, born 1938)

Untitled (from Eine Woche), 1972

Medium: Etching on chine-collé, on wove paper

Dimensions: 50 × 70 cm (19 7/10 × 27 3/5 in)

Edition of 52: Hand-signed in pencil, unnumbered print outside the edition

Publisher: Galerie Heiner Friedrich, Munich

Catalogue raisonné: Jahn/Gachnang No. 96

Condition: Very good (sold in oak wood frame)

This artwork ships worldwide.
Georg Baselitz – Untitled (from Eine Woche)

About this artwork

Georg Baselitz – Untitled (from Eine Woche)

Georg Baselitz’s Untitled (from Eine Woche) exemplifies his expressive and gestural approach to line, combining raw spontaneity with deliberate compositional tension. The artwork from 1972, etched on chine-collé mounted to wove paper, captures a fragmented architectural form that reflects Baselitz’s interest in distortion and inversion. 

Published by Galerie Heiner Friedrich, this hand-signed fine art print from an edition of 52 embodies the artist’s early 1970s experimentation with printmaking and psychological depth.

About Georg Baselitz

Georg Baselitz is a German painter and sculptor renowned for his inverted imagery and profound exploration of German history and identity. Born in 1938 in Deutschbaselitz, Germany, he has become one of the foremost figures in his generation, significantly influencing the realm of Neo-Expressionism that prevailed in German art during the 1970s and 1980s. Baselitz’s innovative approach to creating artworks is characterized by his unique inversion technique, where he paints subjects upside down—a method he adopted in the 1960s to disrupt traditional views on representation and meaning in art. This technique, integral to his paintings and prints, compels viewers to reconsider their perceptions and the significance of the artwork, often invoking feelings of disquiet. Baselitz’s artwork draws from a variety of influences, including Soviet-era illustrations, Mannerist art, and African sculpture, which inform both his thematic focus and stylistic execution.

His artwork not only challenges the aesthetic boundaries of painting and printmaking but also delves deeply into questions of national identity post-World War Two, prompting a reevaluation of what it means to be German. Through his extensive body of work, which includes limited edition prints and monumental sculptures, Baselitz has consistently advocated for the relevance of painting as a critical artistic expression in the contemporary world. His commitment to producing paintings and fine art prints has expanded the understanding of these media, emphasizing their continued importance in communicating complex historical and personal narratives.

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