Georg Baselitz – Puck

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Georg Baselitz (German, born 1938)

Puck, 1993

Medium: Woodcut on wove paper

Dimensions: 103 x 72 cm

Edition of 300: Hand-signed and numbered

Catalogue raisonné: WVZ 1008

Condition: Very good

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About this artwork

Georg Baselitz – Puck

Georg Baselitz’s Puck (1993) is a signed limited edition woodcut on wove paper, measuring 103 × 72 cm. Dominated by a vivid green ground punctuated by bold red and black forms, the composition fuses figurative suggestion with forceful abstraction. Scratched, linear contours outline inverted, fragmented bodies, while the flattened color fields heighten the print’s graphic intensity and physical presence.

Created in 1993 in connection with the Ice Hockey World Championship in Dortmund, Puck reflects Baselitz’s ongoing engagement with movement, inversion, and the expressive potential of the woodcut medium. The rough-hewn edges, visible grain, and stark contrasts underscore his interest in immediacy and material resistance, hallmarks of his printmaking practice in the 1990s.

Executed in an edition of 300, this fine art print is hand-signed and numbered by the artist, representing a dynamic example of Baselitz’s large-scale woodcuts from this period.

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About Georg Baselitz

Georg Baselitz is a German painter and sculptor renowned for his inverted imagery and profound exploration of German history and identity. Born in 1938 in Deutschbaselitz, Germany, he has become one of the foremost figures in his generation, significantly influencing the realm of Neo-Expressionism that prevailed in German art during the 1970s and 1980s.

Baselitz’s innovative approach to creating artworks is characterized by his unique inversion technique, where he paints subjects upside down, a method he adopted in the 1960s to disrupt traditional views on representation and meaning in art. This technique, integral to his paintings and prints, compels viewers to reconsider their perceptions and the significance of the artwork, often invoking feelings of disquiet.

Baselitz’s artwork draws from a variety of influences, including Soviet-era illustrations, Mannerist art, and African sculpture, which inform both his thematic focus and stylistic execution. His artwork not only challenges the aesthetic boundaries of painting and printmaking but also delves deeply into questions of national identity post-World War Two, prompting a reevaluation of what it means to be German.

Through his extensive body of work, which includes limited edition prints and monumental sculptures, Baselitz has consistently advocated for the relevance of painting as a critical artistic expression in the contemporary world. His commitment to producing paintings and fine art prints has expanded the understanding of these media, emphasizing their continued importance in communicating complex historical and personal narratives.

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