Damien Hirst – Spin me Right Round

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Damien Hirst (British, b. 1965)

Spin Me Right Round, 2002

From the portfolio: In a Spin, the Action of the World on Things, Volume I

Medium: Etching in colour on wove paper

Dimensions: 91 x 70.6 cm (35.8 x 27.8 in)

Edition of 68: Hand-signed, dated and titled

Condition: Excellent

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About this artwork

Damien Hirst – Spin me Right Round

Damien Hirst’s Spin Me Right Round (2002) is a hand-signed, dated and titled colour etching from the portfolio In a Spin, the Action of the World on Things, Volume I, published in an edition of 68. As a limited edition print, it translates the artist’s spin paintings into the language of printmaking.

Coloured lines run outwards from the centre in rings and arcs, thinning and breaking as they near the sheet’s edges. Hirst made the spin paintings by pouring paint onto a rotating canvas, and the etched version works in a similar way. Centrifugal force and chance shape the image rather than a brushstroke, which makes it a strong example of abstract art in print.

The portfolio contains 23 etchings. It brings together the pop-song and phrase titles of the spin works and shows how far Hirst’s studio method carried over into Damien Hirst’s prints. The sheets are also held in museum collections, including MoMA and Tate.

Damien Hirst - Earth (from The Elements)

About Damien Hirst

Britain’s most famous living artist and enfant terrible of the YBAs, Damien Hirst, is a conceptual artist, painter, printmaker, and assemblagist. His deliberately provocative art addresses vanitas, beauty, rebirth, medicine, and technology, often shocking and invigorating public debate on contemporary art. Mastering artistic self-promotion, Hirst transformed the romantic ideal of the artist into an entrepreneurial figure of modern commerce.

Alongside Tracey Emin, Sarah Lucas and Liam Gillick, Hirst became the leading figure of the Young British Artists (YBAs). He attended Goldsmiths College in London and curated the formative Freeze show in 1988, gaining the attention of media entrepreneur and art collector Charles Saatchi, an early patron.

Damien Hirst refined Marcel Duchamp’s idea of ready-made objects, presenting dead animals in formaldehyde. In 1995, he won the Turner Prize with artworks including the controversial bisected cow and calf, titled Mother and Child (Divided). His preserved shark, The Physical Impossibility of Death in the Mind of Someone Living, was the centerpiece of Saatchi’s iconic YBA exhibition, Sensation, at the Royal Academy in 1997.

Beyond installations and sculptures, Hirst’s limited edition prints, such as those based on his butterfly and spot paintings, are universally recognized. Damien Hirst’s print production often involves creating works in series, emphasizing themes of repetition and variation.

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