Carmen Herrera - Rojo y Negro

Carmen Herrera’s Rojo y Negro (1993) is a bold screenprint on wove paper, measuring 55.7 × 48 cm. Published in an edition of 200 with 25 artist’s proofs, each print is hand-signed, titled, numbered, and dated by the artist.

This striking composition features Herrera’s signature geometric precision, with a deep black form bisected by a vibrant red plane. The stark contrast between the two colors emphasizes balance, tension, and clarity - hallmarks of Herrera’s minimalist abstraction.

As one of the most celebrated Cuban-American artists of the 20th century, Herrera’s limited edition prints are highly sought after by collectors. Rojo y Negro encapsulates her lifelong dedication to form, color, and purity of expression.

Carmen Herrera (1915–2022) was a pioneering Cuban-American abstract artist known for her vibrant geometric compositions that transcend traditional artistic conventions. With a career spanning over eight decades, Herrera became a beacon of resilience and creativity in the art world, achieving widespread recognition only in her 90s after decades of working in relative obscurity.

Herrera's artistic journey began in Havana, Cuba, where she studied architecture at the Universidad de La Habana. This early exposure to design and structure profoundly influenced her practice, as seen in the precise lines and meticulous compositions that characterize her paintings and prints. In 1939, she moved to New York City, a pivotal moment that marked the beginning of her exploration of geometric abstraction. Her printmaking practice, including lithographs like this signed limited edition print, showcases her mastery of spatial relationships, bold color, and minimalist form. Herrera's prints distill her vision into works on paper that balance clarity, tension, and visual dynamism.

Today, Carmen Herrera is considered a major figure in geometric abstraction and minimalism, alongside Ellsworth Kelly, Agnes Martin, and Frank Stella. In 2016, the Whitney Museum of American Art in New York City held a major retrospective of her work, cementing her status as a trailblazer whose dedication to abstraction challenged the notion that artistic success is confined to youth.