Adam Pendleton

Adam Pendleton artworks
Adam Pendleton works at the intersection of language, abstraction, and Black radical thought. This selection presents signed Adam Pendleton prints and limited edition artworks, where text, repetition, and abstraction structure meaning. Painting, print, and installation operate as sites of refusal and revision. These editions extend his conceptual inquiry into reproducible form, offering collectors signed limited edition prints for sale.

Adam Pendleton (born 1983 in Richmond, Virginia) is a New York–based conceptual artist celebrated for his radical and multi-disciplinary practice. Working across painting, collage, film, text, printmaking, and large-scale installations, Pendleton employs a distinctive black-and-white visual language that reimagines history and challenges dominant cultural narratives. His artworks draw inspiration from Dada, Minimalism, Conceptualism, and the Black Arts Movement, reconfiguring their legacies into a uniquely contemporary framework.
Central to Pendleton’s practice is his ongoing exploration of Black Dada, a concept he first articulated in his 2008 manifesto. He describes it as “a way of talking about the future while talking about the past… looking at Blackness as an open-ended idea that is not just related to notions of race.” By reframing abstraction and Black avant-garde practices together, Pendleton creates a space for imagining alternate presents—where identity, culture, and history are fluid and constantly redefined.
His artworks often incorporate layered text fragments, archival images, and geometric abstraction, producing compositions that are both visually striking and intellectually rigorous. This approach allows him to collapse traditional categories of art and history, offering audiences new ways of engaging with narratives of race, memory, and resistance.
In addition to his large-scale installations and paintings, Adam Pendleton prints and limited edition artworks extend his visual language into collectible formats for a global audience. These editions, including works often associated with his Black Dada prints, translate his conceptual investigations into signed contemporary art editions sought after by collectors.
Through his innovative blending of mediums and ideas, Adam Pendleton has established himself as one of the most important voices in contemporary art today. His artworks not only disrupt established historical frameworks but also expand the possibilities of how art can articulate identity and collective memory in the 21st century.

Adam Pendleton has exhibited internationally at some of the world’s leading museums, underscoring his status as a major voice in contemporary conceptual art. His artworks have been shown at The Museum of Modern Art, New York; the Whitney Museum of American Art, New York; the Walker Art Center, Chicago; the Deutsche Guggenheim, Berlin; BALTIC Centre for Contemporary Art, Gateshead; and Tate Liverpool, reflecting broad institutional recognition.
He gained early attention with his participation in landmark group exhibitions such as Greater New York at MoMA PS1 (2005) and the Venice Biennale (2015), which helped introduce his Black Dada practice to a global audience. His first career retrospective, Adam Pendleton: Who Is Queen?, was staged at MoMA in 2021, transforming the museum’s atrium into an immersive installation of paintings, text, sound, and video. Other major solo presentations include the Baltimore Museum of Art (2022), the Museum of Contemporary Art Cleveland (2017), and the KW Institute for Contemporary Art in Berlin (2017), highlighting his innovative use of abstraction and language to reframe historical and cultural narratives.
Pendleton’s artworks—including his limited edition prints and Adam Pendleton prints—are now held in major public collections, further affirming his influence as one of the most significant conceptual artists of his generation.
Adam Pendleton (born 1983 in Richmond, Virginia) is a New York–based conceptual artist celebrated for his radical and multi-disciplinary practice. Working across painting, collage, film, text, printmaking, and large-scale installations, Pendleton employs a distinctive black-and-white visual language that reimagines history and challenges dominant cultural narratives. His artworks draw inspiration from Dada, Minimalism, Conceptualism, and the Black Arts Movement, reconfiguring their legacies into a uniquely contemporary framework.
Central to Pendleton’s practice is his ongoing exploration of Black Dada, a concept he first articulated in his 2008 manifesto. He describes it as “a way of talking about the future while talking about the past… looking at Blackness as an open-ended idea that is not just related to notions of race.” By reframing abstraction and Black avant-garde practices together, Pendleton creates a space for imagining alternate presents—where identity, culture, and history are fluid and constantly redefined.
His artworks often incorporate layered text fragments, archival images, and geometric abstraction, producing compositions that are both visually striking and intellectually rigorous. This approach allows him to collapse traditional categories of art and history, offering audiences new ways of engaging with narratives of race, memory, and resistance.
In addition to his large-scale installations and paintings, Adam Pendleton prints and limited edition artworks extend his visual language into collectible formats for a global audience. These editions, including works often associated with his Black Dada prints, translate his conceptual investigations into signed contemporary art editions sought after by collectors.
Through his innovative blending of mediums and ideas, Adam Pendleton has established himself as one of the most important voices in contemporary art today. His artworks not only disrupt established historical frameworks but also expand the possibilities of how art can articulate identity and collective memory in the 21st century.
Adam Pendleton has exhibited internationally at some of the world’s leading museums, underscoring his status as a major voice in contemporary conceptual art. His artworks have been shown at The Museum of Modern Art, New York; the Whitney Museum of American Art, New York; the Walker Art Center, Chicago; the Deutsche Guggenheim, Berlin; BALTIC Centre for Contemporary Art, Gateshead; and Tate Liverpool, reflecting broad institutional recognition.
He gained early attention with his participation in landmark group exhibitions such as Greater New York at MoMA PS1 (2005) and the Venice Biennale (2015), which helped introduce his Black Dada practice to a global audience. His first career retrospective, Adam Pendleton: Who Is Queen?, was staged at MoMA in 2021, transforming the museum’s atrium into an immersive installation of paintings, text, sound, and video. Other major solo presentations include the Baltimore Museum of Art (2022), the Museum of Contemporary Art Cleveland (2017), and the KW Institute for Contemporary Art in Berlin (2017), highlighting his innovative use of abstraction and language to reframe historical and cultural narratives.
Pendleton’s artworks—including his limited edition prints and Adam Pendleton prints—are now held in major public collections, further affirming his influence as one of the most significant conceptual artists of his generation.



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