Christo – Corridor Store Front (documenta Foundation)

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Christo (American-Bulgarian, b. 1935)

Corridor Store Front, Project, 1967-1968

Medium: Two-part screenprint with hinges, to be opened (front print die-cut, mounted on acetate; rear print mounted on wooden support)

Dimensions: 71 × 56 cm (28 × 22 in)

Edition of 75: Hand-signed and numbered

Printer: Hans-Peter Haas, Stuttgart (silkscreen); Haarhaus, Cologne (offset)

Publisher: documenta Foundation, Kassel

Catalogue raisonné: Schellmann/Benecke 5

Condition: Very good (hinges not connected to rear print due to age)

This artwork ships worldwide.
Christo - Corridor Store Front (documenta Foundation)

About this artwork

Christo – Corridor Store Front (documenta Foundation)

Between 1964 and 1967, Christo developed his Store Fronts, a series of full-scale architectural sculptures that resemble real buildings while deliberately denying functionality. These conceptual artworks combine interior and exterior space, using curtained windows and closed entrances to block visibility and create a paradox between architectural appearance and inaccessible space. Through the use of both old and new materials, the Store Fronts explore the psychological and symbolic role of windows and façades, evoking a century of architectural styles while challenging conventional perception.

Corridor Store Front (1967–1968) exemplifies this investigation by inviting viewers to physically enter a narrow passage, only to encounter a glass barrier that interrupts the spatial experience. The artwork emphasizes bodily movement and material presence, reinforcing Christo’s interest in interaction, obstruction, and withheld access. Issued as a signed limited edition artwork of 75, this two-part screenprint multiple stands alongside Christo’s preparatory drawings and signed prints as a key example of how his ephemeral projects endure through carefully realized editions.

Christo - 5600 Cubicmeter Package (Monuments)

About Christo

Christo, working in close collaboration with Jeanne-Claude, is best known for monumental, temporary installations that radically transformed public spaces through the use of fabric and plastic. Iconic projects such as Wrapped Reichstag in Berlin, Pont Neuf Wrapped in Paris, and Surrounded Islands in Miami explored the relationship between architecture, landscape, and collective perception, emphasizing ephemerality as a central artistic principle. Designed to exist only briefly, these large-scale interventions were dismantled after completion, leaving behind preparatory drawings, prints, and signed editions as the primary enduring records of the artworks.

Prints and limited edition multiples played a crucial role in Christo and Jeanne-Claude’s practice, serving both as autonomous artworks and as documentation of their ambitious projects. Through these signed editions, Christo translated the conceptual and visual intensity of temporary installations into collectible works on paper, extending their legacy beyond the physical lifespan of each intervention. Born in Bulgaria in 1935 and active internationally until his death in 2020, Christo remains a pivotal figure in contemporary art, redefining how audiences experience space, time, and artistic freedom.

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