About Eddie Martinez

Eddie Martinez (born 1977 in Bridgeport, Connecticut) is an American contemporary painter celebrated for his dynamic fusion of abstraction and figuration. His practice combines bold gestural brushwork, vibrant color, and raw mark-making to create artworks that oscillate between chaos and control. Working across painting, drawing, sculpture, and printmaking, Martinez creates compositions that merge street art energy with painterly sophistication, establishing him as one of the most distinctive voices in contemporary American painting.

Martinez's artworks are characterized by their explosive energy and layered complexity. His paintings feature fragmented figures, cartoon-like forms, and abstract gestures that collide across the canvas in dense, visually charged compositions. Drawing from influences ranging from graffiti and comic books to Abstract Expressionism and Neo-Expressionism, he creates works that feel simultaneously spontaneous and deliberate. His use of spray paint, oil stick, enamel, and acrylic creates richly textured surfaces that capture the immediacy of his creative process.

Printmaking is central to Martinez's practice. His limited edition prints, screenprints, and signed editions translate his gestural investigations into highly collectible formats, capturing the raw energy and chromatic intensity of his larger paintings. These fine art prints are sought after by collectors worldwide for their ability to embody the same dynamic tension between abstraction and figuration that defines his painting practice.

Throughout his career, Martinez has remained committed to creating artworks that embrace spontaneity, intuition, and visual complexity. His paintings, drawings, sculptures, and prints continue to influence contemporary art, securing his position as one of the most important American artists working at the intersection of street art, abstraction, and figurative painting.

Notable exhibitions

Eddie Martinez reached a global milestone in 2024 when he represented the Republic of San Marino at the 60th Venice Biennale with Nomader, an ambitious installation of new paintings, drawings, and sculptures curated by Alison M. Gingeras at La Fucina del Futuro, marking his defining international debut.

His institutional recognition intensified during the late 2010s, with solo museum exhibitions including Ants at a Picknic at the Davis Museum, Wellesley College (2017), White Outs at the Bronx Museum (2018), and dual presentations at the Museum of Contemporary Art Detroit and Yuz Museum Shanghai in 2019, showcasing his distinctive blend of abstraction and figuration.

Martinez's artworks—including his highly collectible limited edition prints, screenprints, and signed editions—are held in prominent collections worldwide. These exhibitions spanning major U.S. and international venues demonstrate Martinez's ascent from studio-based painting to recognized solo shows on the world stage, anchored by his Venice Biennale representation.