Tacita Dean – Aerial View of Teignmouth Electron

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Tacita Dean (British, born 1965)

Aerial View of Teignmouth Electron, Cayman Brac 16th of September 1998, 2000

Medium: Gelatin silver print on paper

Dimensions: 21 x 26 cm (8 1/4 x 10 1/4 in)

Edition of 100: Hand signed, numbered and dated

Condition: Mint (sold unframed)

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About this artwork

Tacita Dean – Aerial View of Teignmouth Electron

Tacita Dean's Aerial View of Teignmouth Electron, Cayman Brac 16th of September 1998 (2000) is a gelatin silver photograph depicting the decaying hull of the abandoned trimaran Teignmouth Electron, beached on the Caribbean island of Cayman Brac. Photographed from an aeroplane flying above the island's southern coastline, the artwork captures the vessel as it slowly disintegrates under the forces of wind, salt, and sea.

The vertiginous aerial perspective reconfigures the landscape into a near-abstract composition: a pale strip of sand divides land and water like a displaced horizon, while the foam of breaking waves echoes drifting clouds. Reduced in scale and isolated within the vast expanse of ocean, the derelict boat appears fragile and exposed. The photograph foregrounds themes of entropy, vulnerability, and the passage of time that are central to Dean's photographic artworks.

Published in 2000 in a limited edition of 100 prints, Aerial View of Teignmouth Electron, Cayman Brac 16th of September 1998 is hand-signed, numbered, and dated by the artist. Measuring 21 × 26 cm, this gelatin silver print stands as a significant example of Dean's photographic practice.

This photograph is one of a number of works by Tacita Dean inspired by the tragic story of Donald Crowhurst’s doomed attempt to circumnavigate the world in his boat, Teignmouth Electron, named after the town in Devon that funded its construction and from where he set sail. In 1968, Crowhurst entered The Sunday Times Golden Globe competition to be the first to sail solo and non-stop around the world. Having embarked on his journey in an untested and ill-prepared trimaran, with no sailing experience, Crowhurst radioed in his coordinates which suggested that he was in the lead. After some time, however, all radio contact ceased. Eight months after the race began, Crowhurst’s boat was found abandoned a few hundred miles off the coast of England. Subsequent investigation revealed that Crowhurst had never left the Atlantic and had, in fact, falsified his coordinates. – Helen Delaney, Tate Britain, February 2002

Tacita Dean - La Puerta del Diablo

About Tacita Dean

Tacita Dean (British, born 1965) is a leading contemporary artist internationally recognized for her conceptual artworks spanning film, photography, drawing, printmaking, and installation. Born in Canterbury, England, Dean has built a rigorous practice centered on time, memory, and the material conditions of image-making.

Her artworks frequently return to maritime subjects, remote landscapes, and abandoned architectural sites, not as symbols but as environments where duration becomes visible. Through careful observation of erosion, disappearance, and human traces, Dean’s work foregrounds the passage of time as both subject and structure.

Film occupies a central position in her practice. A committed advocate for analogue 16mm film, Dean has consistently defended its physical presence and unpredictability in an increasingly digital age. Her films, often composed of long takes and restrained framing, invite sustained viewing and emphasize the materiality of the medium itself. This concern with process extends across her photographs, drawings, and limited edition prints, where surface, texture, and temporality remain critical.

Dean’s artworks are held in major museum collections including Tate, the Museum of Modern Art, and the Centre Pompidou. Through her continued exploration of analogue film and printed image, Tacita Dean remains a defining voice in contemporary art, with her works and art editions highly regarded by collectors and institutions worldwide.

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