Sigmar Polke, S. schmeckt Pfirsich von H.


Sigmar Polke (German, 1941-2010)

S. schmeckt Pfirsich von H. (S. Tastes Peach by H.), 1996

Medium: Grano-lithograph in colours with embossing, on Bütten board

Dimensions: 59.1 × 77.1 cm (23 3/10 × 30 2/5 in)

Edition of 60: Hand signed, dated and numbered in pencil (one of 10 impressions in Roman numerals aside from the edition of 60)

Publishers: Edition Schellmann (Munich, New York) and Verlag Gruner + Jahr AG (Hamburg) for Capital Magazine, Cologne

Catalogue raisonné: Jürgen Becker and Claus von der Osten 121

Condition: Excellent

In stock

“I love all dots. I am married to many of them. I want all dots to be happy. Dots are my brothers. I am a dot myself.” – Sigmar Polke

“[Sigmar Polke] seemed to use an abstract element to create real atmosphere and mood in his paintings, not just to make comments on abstract paintings. It didn’t seem to be about the language of painting that existed. It was more about what he could invent at that point in time for a particular work or body of work.” – Peter Doig in conversation with Mark Godfrey, 2014

Known for his inventiveness, curiosity and wit, Sigmar Polke has often been called “the alchemist”. Experimenting with a wide range of mediums and materials, he created a very diverse oeuvre that has influenced a whole generation of artists. Whilst his studio turned more and more into a laboratory, Polke innovated techniques in painting and photography by manipulating chemical processes. Life in post-war Germany, led Sigmar Polke to establish Capitalist Realism together with Gerhard Richter and Konrad Lueg in the 1960s. This parody of the American Pop Art movement aimed at exploring consumerism and German postwar bourgeoisie, using the imagery of popular culture and advertising.

German, 1941–2010

Sigmar Polke, S. schmeckt Pfirsich von H.

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