

Arnulf Rainer – Büste im Nebel
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Arnulf Rainer (Austrian, born 1929)
Büste im Nebel, 1977
Medium: Drypoint etching on BFK Rives wove paper
Dimensions: 29.8 × 20.8 cm (11 7/10 × 8 1/5 in)
Edition of 50: Hand-signed and numbered
Condition: Very good, with minimal foxing
Artwork details
Arnulf Rainer’s Büste im Nebel (Bust in the Mist) from 1977 is a haunting drypoint etching that merges figuration with abstraction. A classical bust emerges through a haze of dense, scratched lines, its form simultaneously revealed and obscured. This technique, characteristic of Rainer’s radical “overpainting” and mark-making practices, emphasizes erasure, distortion, and transformation.
By veiling the figure in gestural strokes, the artist destabilizes the boundaries of representation, creating a work that meditates on identity, memory, and disappearance. As one of only 50 signed and numbered impressions, this etching exemplifies Rainer’s innovative approach to printmaking in the late 20th century.
About this artist
Arnulf Rainer (b. 1929, Baden bei Wien, Austria) is a pivotal figure in contemporary Austrian art, renowned for his abstract paintings and prints. With a career spanning over seven decades, Rainer has demonstrated a relentless pursuit of artistic innovation and a penchant for challenging traditional norms. Largely self-taught, he crafted a distinctive path that began with an early interest in Surrealism, which he integrated with the spontaneity of Art Informel during the 1950s.
Rainer is best known for his development of overpainting, a technique involving the partial or complete reworking of existing artworks, including prints and photographs by other artists, which he transforms with thick, impasto gestures and bold marks. Through his overpaintings, Rainer explores themes of "the extinction of expression, permanent covering, and contemplative tranquility," challenging conventional boundaries of artistic ownership and creation. His printmaking practice, including etchings like this signed limited edition print, extends his overpainting approach into works on paper. He employs deep and forceful etching marks to create densely textured abstract prints, layering stark, gestural lines that transform the medium into an expressive field of energy.
Arnulf Rainer's significant role in shaping modern art has been recognized through his participation in documenta in Kassel (1972, 1977, 1982) and representing Austria at the Venice Biennale in 1978. His work has been featured in retrospectives at major international institutions including Albertina, Vienna (2014), Alte Pinakothek, Munich (2010), Stedelijk Museum, Amsterdam, Solomon R. Guggenheim Museum, New York, and the Centre Pompidou, Paris.

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