Günter Fruhtrunk – Zwischen Grün

Günter Fruhtrunk’s Zwischen Grün (1970) exemplifies his rigorous exploration of rhythm, balance, and chromatic tension. Published as part of the portfolio spiegel 70 in Cologne, which featured 13 prints by artists including Jean Arp, Christo, Max Ernst, and Victor Vasarely, it situates Fruhtrunk within an influential circle of postwar avant-garde figures. The bold vertical bands in red, green, and black create a dynamic optical vibration, and this screenprint on cardboard is hand-signed, numbered, and dated in pencil verso from the edition of 150.

Günter Fruhtrunk‘s legacy holds a special place within the annals of non-figurative painting and abstract art. Fruhtrunk’s contributions to the world of art transcend mere aesthetics; they represent a profound exploration of form, color, and the very essence of geometric abstraction. Günter Fruhtrunk‘s artistic journey was forged during a pivotal period of 20th-century art history. Born in Munich in 1923, his early artistic inclinations emerged during World War II when he turned to watercolors as a means of coping with the harsh realities of warfare. This initial exploration laid the foundation for his lifelong commitment to artistic innovation. Fruhtrunk’s artistic maturation reached new heights when he ventured to Paris, a global epicenter of artistic dynamism, where he studied under the tutelage of acclaimed artists Ferdinand Léger and Jean Arp. This transformative experience profoundly influenced his artistic direction, guiding him toward the geometric abstraction that would become his signature style. One of Günter Fruhtrunk‘s notable achievements was his dedication to printmaking. His limited edition prints, encompassing a variety of techniques, including lithography, etching, and serigraphy, stand as a testament to his unwavering pursuit of precision and clarity within the realm of geometric abstraction. His geometric forms, defined by their crisp lines and vibrant contrasts, translated seamlessly onto the printmaking medium, offering collectors and enthusiasts an opportunity to engage with his visionary aesthetic in a more accessible format. Throughout his career, Günter Fruhtrunk‘s work garnered international recognition, participating in the documenta IV and in the Venice Biennial in 1968. Additionally, the artist has been the subject of solo exhibitions at important institutions including Neue Nationalgalerie in Berlin, Musée d’Art Moderne de la Ville de Paris, Kunstmuseum Bonn and Lenbachhaus in Munich.

Günter Fruhtrunk, Zwischen Grün