Donald Judd was a leading figure of the Minimalist art movement of the 1960s and 1970s. The American sculptor’s work is characterized by its simplicity and geometric forms. He rejected the abstract expressionism that was popular at the time and instead created works that were more focused on the physical presence of the materials he used. He is best known for his series of stacked boxes, made of various materials such as aluminum, steel, and plexiglass. These works are notable for their precise measurements and the absence of surface decoration, which Judd believed detracted from the essence of the object. Judd’s approach to art was a radical departure from the traditional concepts of painting and sculpture. He saw himself as a craftsman, rather than an artist, and emphasized the physical properties of the materials he used. He sought to create works that would not be limited by time or cultural references, but instead would be valued for their inherent qualities. In his words, his goal was to make “an object that is real in every way, one that is not just seen but is actually there.” In addition to his work as an artist, Judd was also a prolific writer and critic. He wrote extensively about Minimalist art and its place in the larger context of modern art. He was a strong advocate for the idea that art should be accessible to all people, regardless of their background or level of education. He believed that art should be appreciated for its own sake, and not just as a symbol of wealth or status. Judd’s prints have been widely exhibited and are held in the collections of major museums and institutions around the world, including the Museum of Modern Art in New York and the Tate Modern in London. American, 1928-1994.