Sigmar Polke, Dr Pabscht het z’Schpiez …

8.000,00 

Sigmar Polke (German, 1941-2010)

Dr Pabscht het z’Schpiez s’Schpäckbschteck z’schpät bschteut (Parkett No. 30), 1980/91

Medium: Digital print on vinyl with acrylic lacquer, mounted on stretcher

Dimensions: 50.2 x 40.3 x 2.5 cm (19 4/5 × 15 9/10 x 1 in)

Edition of 100 + XX: Hand signed and numbered on a label, verso

Publisher: Parkett Publishers, Zürich and New York

Catalogue raisonné: Becker/von der Osten 91

Condition: Very good

In stock

This artwork’s title reveals Sigmar Polke’s unique sense of humor. Dr Pabscht het z’Schpiez s’Schpäckbschteck z’schpät bschteut is a tongue twister in Swiss-German, translating to The Pope Ordered the Bacon Cutlery in Spiez Too Late. Consequently, the canvas depicts a silverware case with two crossed spoons. Although stemming from a 19th Century mail order catalogue, Polke appropriated the imagery from the surrealist Max Ernst, who had used it in several collages before.

Known for his inventiveness, curiosity and wit, Sigmar Polke has often been called “the alchemist”. Experimenting with a wide range of mediums and materials, he created a very diverse oeuvre that has influenced a whole generation of artists. Whilst his studio turned more and more into a laboratory, Polke innovated techniques in painting and photography by manipulating chemical processes. Life in post-war Germany led Sigmar Polke to establish Capitalist Realism alongside Gerhard Richter and Konrad Lueg in the 1960s. This parody of the American Pop Art movement and Social Realism aimed at exploring consumerism and the lifestyle and conventions of the German postwar bourgeoisie, using the imagery of popular culture and advertising. Typically, his work incorporates every day and mass-produced objects, which correspond with the cheap surfaces on which he painted, such as wallpaper or fabric, as well as his use of offset printing techniques. For his paintings, Polke developed a print raster aesthetic, which he called a “grid” technique, in which he painted enlarged images of magazines and newspapers on canvas, mixing art historical motifs with commercial imagery. Sigmar Polke exhibited his work at numerous international biennales, including documenta, the Bienal de São Paulo, and the Venice Biennale, where he was awarded the Golden Lion for his solo presentation at the West German Pavilion in 1986. Major retrospectives have been held by The Museum of Modern Art (New York), Tate Modern (London), Museum Ludwig (Cologne), San Francisco Museum of Modern Art and the Smithsonian Institution (Washington, DC). German, 1941–2010.

Auction record: US$27.1m, Sotheby’s, 2015

Sigmar Polke, Dr Pabscht het z’Schpiez…

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