Joseph Beuys, Gletscher Schwamm Totenbett

4.400,00 

Joseph Beuys (German, 1921-1986)

Gletscher Schwamm Totenbett, 1979

Medium: 2 photo etchings and pencil, on wove paper

Dimensions: 99.3 x 70 cm each

Edition of 75 + XX: Hand signed and numbered

Publisher: Edizioni Factotum-Art, Verona

Catalogue raisonné: Schellmann 308, 309

In stock

Art alone makes life possible – this is how radically I should like to formulate it. I would say that without art man is inconceivable in physiological terms.” – Joseph Beuys

Joseph Beuys is recognised as one of the most influential artists of the postwar period. His extensive body of work is underpinned by concepts of social philosophy, humanism and anthroposophy and encompasses Fluxus, happenings, performances, sculptures, installations, drawings and prints. Joseph Beuys’ multifaceted career also included lectures, activism, and even a campaign for elected office, and was directed at an “expanded concept of art”. He suggested that “art” might not ultimately constitute a specialized profession but, rather, a heightened humanitarian attitude, or way of conducting one’s life, in every realm of daily activity. In this regard, his work signals a new era in which art becomes increasingly engaged with political activism and social commentary. Several of Joseph Beuys’ most famous artworks incorporate animal fat and felt, two common materials – one organic, the other fabricated. They constituted recurring motifs suggesting that art, common materials, and anyone’s “everyday life” were essentially inseparable.

German, 1921–1986

Joseph Beuys, Gletscher Schwamm Totenbett

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