Georg Baselitz’s Untitled (from Eine Woche) exemplifies his expressive and gestural approach to line, combining raw spontaneity with deliberate compositional tension. The artwork from 1972, etched on chine-collé mounted to wove paper, captures a fragmented architectural form that reflects Baselitz’s interest in distortion and inversion. 

Published by Galerie Heiner Friedrich, this hand-signed fine art print from an edition of 52 embodies the artist’s early 1970s experimentation with printmaking and psychological depth.